You know exactly what you want to say. You stand up to pitch and your mind goes completely blank.
You're at 172 words a minute and you looked down on your opening line. Eyes up, land on 135, and go again.
You know your material. You've done the prep. And then something happens to you the second everyone looks at you.
You know exactly what you want to say. You stand up to pitch and your mind goes completely blank.
You race through the first slide so fast that nobody catches what the talk is actually about.

The journalist asks the one question you didn't prepare for, and you start a sentence with no idea how it ends.
Someone talks over you in the meeting and you never get back to your point.
Your voice goes up at the end of every sentence, so your strongest point sounds like a question.
You've been putting off one conversation for three weeks, and you've rehearsed it a hundred times in the shower.
You sit down to film one short video for LinkedIn and delete it nine times because you can't stand how you sound.
You walk in having already said it out loud ten times, and it comes out the way you practised it.
Actors spend years training for the moment everyone is watching and they still have to be themselves. Mara gives you that training on your own, before the pitch, the talk, the interview, the conversation or the video, as many runs as you need.
It's what a director does with an actor between takes, there on the nights you're preparing on your own.
Camera on, mic on. Run your pitch, your opening, your interview answers or your video the way you would for real. Mara watches and listens without interrupting.
You get the read: how fast you went, whether your voice moved, whether a pause landed, where your eyes went and what your body was doing. And the exact second it dipped.
One reset and one specific fix, then you go again. Every take is compared against your own last one, so you can see it move.
RUN 1
RUN 2Mara's note between takes: slow the first sentence right down, let the pause sit before your key number, and say the last word like you mean it.
Not a transcript and a word count. Mara reads the delivery, which is the part the people listening actually feel.
Whether people can keep up with you, or you're racing through it to get it over with.
So flat is a number, not an opinion. It's the difference between telling a story and reading a list.
Whether you sound like you care about what you're saying, so the people listening care too.
Getting to your point early, before the room drifts off.
Holding eye contact, whether it's one investor, a full room or a camera lens.
An opening that gets people listening, and a last line they still remember on the way out.
Everything Mara reads is something the people in front of you could see or hear, and every run is held against your own history, never against a stranger.
Mara is a set of rooms, each one for a different part of getting ready. Tell us what's coming up and the rooms to start with light up.
Pick one and the rooms to start with light up below.
Where most of the work happens. Say it out loud to a camera before you say it to anyone else.

Film it to camera, get read on all six, and keep every take. You find out what you actually sound like, not what you think you sound like.
Shape what you're going to say before you say it, so a vague idea becomes one clear first line.

Scripted in your voice, recorded with a prompter that follows your pace, directed take by take, then cut and captioned ready to post.
Short voice and breath work, so you sound awake from your first sentence and not ten minutes in.
One drill a day, camera and audio, nothing recorded. Small enough that you'll actually keep doing it.
Simulations that interrupt you and push back, so one awkward question stops knocking you off for the rest of it.
Rehearse the conversation you've been putting off, with an opening line ready and an answer for the reply you're dreading.
For people pitching, presenting and speaking in English as a second language. Measured on clarity and state, never on accent.
While it's actually happening.

Runs alongside a real call, so you find out how you came across in the pitch call, the interview or the board meeting, not just in rehearsal.
A guided session when the moment is close and you need it worked through now. You leave with a decision and a way to say it.
For when it didn't go the way you wanted it to.

Private talk. For the meeting that got under your skin, or the answer you can't stop replaying. Shred it when you're done.
A short session on one specific thing. Taught, practised, and closed with one skill you've actually used.
So you put it down and get on with your day instead of replaying it all night.
Every take and every score, held against where you started, in your own recordings.
Short, physical, and usable anywhere, including the bathroom before you go on.
Short guided work you can do at a desk or in a corridor, to bring your nervous system down before you speak.
Cues that put you in the right state before you speak, so you arrive steady rather than wired.
The read on how you work, before you try to change it.
How you come across under pressure, measured rather than guessed.
The shape your communication takes naturally, so you can use your style on purpose.
What people see when you're not thinking about it. The habit nobody has ever told you about.
Mara writes back in plain words, with one specific thing to work on next time.
Write or paste your script, or let Mara help you write it in your own voice. Record it with a prompter that follows your pace, so your eyes stay on the lens instead of sliding off to the side. Mara directs you take by take, then cuts and captions it so it's ready to post.
I'm Jade Matthew. I'm an actor and voice artist, a Lecturer at LAMDA, and I've coached more than five hundred people on how to perform when it counts, from drama students to people running big companies.
Being good under pressure is learnable. Where you put your eyes, how you breathe before the first line, what your voice does when you're nervous and how to get it back. Actors get taught all of that in rehearsal rooms. Most people who pitch, present, go on air or make content never get taught any of it.
So I built it into Mara. It's the same method I use in my private coaching, and it's there whenever you are, including at eleven at night before the pitch.
Mara has completely changed how I communicate and has become my go to communication coach.
For practising a few times a week and getting properly better.
For getting ready for something big, or making content every week.
You wear the headband and your brainwaves come up on screen while you speak. You work the moment you find hard with one of our coaches, run it again, and see what changed.
Neuro runs in coaching sessions, from £1,500. It is not part of a Mara plan and you cannot run it on your own in the app yet. This is performance coaching, not a medical test.
You do. They're stored against your account and only you can see them. Nothing is shared with anyone else. Off the Record keeps nothing at all, and you can shred a session when you're done.
For the Practise Room and Session Studio, yes, because the read includes what your body and face are doing while you speak. Off the Record, Message Studio, Breathing and Mindset preparation don't use the camera at all. You choose when anything records.
No. Most people use it for pitches, presentations, media interviews and hard conversations at work. Content is one room of many. The training is the same whether you're pitching to investors, speaking on a panel or filming a video. Pick your moment in the rooms above and start there.
It's built for exactly that. You don't need to arrive good at it. The first run is meant to be the worst one, which is the whole point of doing it in private first.
It runs in the browser, so there's nothing to download from a store. Add it to your home screen and it opens like any other app, full screen, with your camera and microphone ready.
No. The English Performance Ladder measures clarity and state, never accent. The aim is that you sound like yourself at your best, not like somebody else.
No. It's performance and communication coaching, and it isn't a clinical or medical service. If something heavier is going on, that belongs with a professional rather than here.
Any time, from your account. Cancelling takes effect at the end of the month you've already paid for.
Make an account, open the Practise Room and do one run tonight. You'll have your read before the kettle's boiled.
She will use this to personalise every session. All fields marked with * are required.
If you sign up with Google or Microsoft, we will ask a few quick questions next so Mara can tailor your coaching.
Already have an account?
Continue your practice. Your sessions, scores, and progress are waiting.
Most people arrive here because something keeps happening in high-stakes moments that does not happen anywhere else. The voice changes. The mind goes blank. The words come out wrong. The person in the room is not the person they know themselves to be. That gap is not a personality flaw. It is a trainable pattern. Mara works on it directly.
The physical pattern that fires before you speak, the tightening, the rushing, the voice that is not quite yours. That pattern is not fixed. It is a nervous system response and it changes through practice. Not through understanding it. Through practising from a different state.
The gap between what you think and what comes out of your mouth. The softening, the over-qualifying, the version of the idea that arrives smaller than the one you had. That gap closes through specific repetition on your actual material. Not generic exercises. The real thing, at real pressure.
Presence is not a personality trait. It is a set of specific behaviours in the body and the voice that communicate authority before you have said a word. They are learnable. Every element of it can be trained, practised, and made automatic.
Challenge triggers collapse rather than stability. That pattern has a root worth finding.. The question you were not expecting. The sceptical investor, the hostile room, the conversation you have been putting off. Mara runs those scenarios with increasing pressure until you stop losing your thread in them.
You need 15 to 20 minutes, good lighting, and privacy. You will be speaking out loud. Watching yourself back is one of the most powerful parts of the process. Chrome gives the best experience.
Three modes are available throughout every session using the buttons at the top.
Not a generic scenario. The real one. The specific conversation, the pitch, the presentation you have been thinking about. The more specific you are, the more useful the session will be. Mara will ask. Answer honestly.
Mara will ask you to present to camera. Do it out loud. As if the audience is real. When your run is done, watch the recording before Mara gives you any feedback. Mara will ask what you noticed first. Your answer matters. It is not a formality.
Between practice runs, Mara will take you through a physical reset. The improvement in your next run does not come from trying harder. It comes from what happens in those few minutes. Trust it and do it properly.
A single run shows you the pattern. The second run starts to change it. The third run is where it begins to feel different. Most sessions involve three or four runs with increasing pressure. Do not stop after one. The change you are looking for happens in the repetition.
Use the clock icon to run a timed session. 2 minutes for an elevator pitch drill, 5 or 10 for a focused run, up to 15 or custom. The countdown appears in the corner. Mara adapts to the constraint. Practising under real time pressure is one of the most effective things you can do.
The night before a high-stakes moment is not too late to practise. A single focused session can shift how you walk in. Your session history, scores, and recordings are all saved in your profile. Mara will reference your previous sessions when you return.
Press play and watch through. The button below unlocks when it finishes.
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© 2026 Mara Performance Ltd. All rights reserved. The ICOP Method and the Performance State Method are the property of Jade Matthew, used by Mara Performance Ltd under licence.
Thirty sessions across four stages: Identify the block, Clear it at the level it was formed, build Presence through voice, body and communication, then Maintain with a protocol you own for life. Then unlimited ongoing sessions.
Choose your session type. You can switch at any time.
© 2026 Mara Performance Ltd. All rights reserved. The ICOP Method and the Performance State Method are the property of Jade Matthew, used by Mara Performance Ltd under licence.
This is a coaching space to think out loud. Bring the conversation you are dreading, the decision you keep circling, or the thing you cannot say anywhere else. Talk it through with Mara, in confidence, and work out what to do.
Say it plainly.
Only you can access what you save here. Mara has no memory of Off the Record sessions outside this room. Nothing from this room appears anywhere else in the platform.
A few minutes of conversation. Three highlights you saved. One bookmark Mara held. Choose what to keep and what to shred.
Every message, every highlight, every bookmark, gone. No archive. No recovery. This is the contract that makes the room work.
Sure?
Two to twenty minutes. Warm up before a meeting. Take the edge off anxiety. Reset the nervous system between calls. Come back to clarity when you need to think.
No talking. No screen interaction. A gold ring expands and contracts at the chosen pace; you follow.
Full audio engine arrives in the next build. Pattern selection and timing already work, Mara will lead you through verbally if audio cues are on.
Guided visualisations, hypnosis sessions, identity work, quick anchors. A new session lands every Monday.
The library opens with the first recording. New recordings every Monday.
No sessions yet. Your history will appear here after your first session.
Mara · Session
© 2026 Mara Performance Ltd. All rights reserved. The ICOP Method and the Performance State Method are the property of Jade Matthew, used by Mara Performance Ltd under licence.
ICOP Method and Performance State Method are proprietary.
Executive English · Six Dimensions
Record and score on 6 dimensions: pace, vocal range, energy, clarity, presence, impact.
Think in your native language. Nothing leaves this room.